“Those who know New England will know feel the wintery chill, the threatening skies, the loneliness of old roads, the tranquil beauty of Mr. Cheney’s pictures. New England answers subject demands of modernism adequately; no doubt we shall see it portrayed a great deal in the new brusque, impelling idiom in the next few years.” Dorothy Adlow review, Christian Science Monitor Sept. 29, 1934
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Amazeen Cove (New Castle), 35.5×30″ 1938
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Along the Dock, Portsmouth, 20×30″ est., c.1939-40
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Boston Elevated (Charles Street?), 18.5×15″ undated
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Bow St (3), 27×21″, by 1932
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Bow Street, Portsmouth, 27×40″ 1935
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Cheney Homestead (Autumn), 16×10.5″ 1925
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Cheney Homestead (Winter), 41×22″, by 1914
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Cove in Winter, 24×30″ 1929
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Landscape: Fenway Park, Boston, 17×27″ undated
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Mary Cheney’s Garden, 1937
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New Castle Street, 36.5×25″ 1940
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Oats Harvest– or Getting in the Oats, 40×30″ est., 1920
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Old Coffee House, Charleston (South Carolina), 1928
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Pine Trees or Pines (Ogunquit, Maine), 39×31.5″ 1913
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Piscataqua Lane (New Castle, New Hampshire), 24×30″ 1933
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Piscataqua River or Winter Trees, 33.75×41″, by 1931
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Round Island, Portsmouth, undated
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The Triton, 29×24″, by 1930
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Water Front or Waterfront, 14.625×17.75″ 1932
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White Birches, 36×36″ est., 1915
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Untitled: Red Echo Farm, Topsham, Vermont, buildings, 8×10″ 1918
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Untitled: Red Echo Farm, Topsham, Vermont, valley, 47×48″ 1920